Review | ‘Fremont’ is an understated directorial marvel
Will Bower, Arts Reporter
• October 11, 2023
Review | ‘Percy Jackson and the Chalice of the Gods’ reintroduces readers to beloved heroes
Riley Dunn, Arts Reporter
• October 10, 2023
Review | ‘Cousin’ returns Wilco to their soft rock roots with the perfect autumn album
Charlie Hickman, Arts Reporter
• October 3, 2023
Review | Wes Anderson’s filmmaking flare shines in new short film
Charlie Hickman, Arts Reporter
• October 3, 2023
Review | Jazz group Late Aster concocts a heady mix of genres in newest EP
Caden Gantenbein, Arts Reporter
• October 1, 2023
Review | Green Day sparks nostalgia with 30th anniversary “Dookie” deluxe album release
Zhenya Loughney, Arts Reporter
• October 1, 2023
Review | A24’s ‘Talk to Me’ is a visceral experience a tier above other horror films
Caden Gantenbein, Arts Reporter
• September 29, 2023
Review | U.K. Netflix series ‘Sex Education’ is one for the books
Isabelle Lubguban, Arts Reporter
• September 25, 2023
Review | Crooked Path’s “Hamlet” at The James displays grief and despair onstage
Zhenya Loughney, Arts Reporter
• September 24, 2023
Review | “Holly” by Stephen King tells chilling adventure of private investigator
Riley Dunn, Arts Reporter
• September 24, 2023
Review | ‘A Haunting In Venice’ has audiences on the edge of their seats
Isabelle Lubguban, Arts Reporter
• September 20, 2023