Review | ‘Monster’ shows Netflix’s twisted take on the Menendez brothers’ case
Kyrsten White, Arts Reporter
• October 13, 2024
Point/Counterpoint: Is ‘Joker: Folie a Deux’ even worth watching?
Flynn Milligan and Emma Isenhart
• October 9, 2024
Ask the Authors | Sandra Cisneros, Joy Harjo, Juan Felipe Herrera
Isabelle Lubguban, Arts Reporter
• October 8, 2024
Review | ‘Industry’ season three goes down as one of HBO’s finest releases
Charlie Hickman, Arts Editor
• October 8, 2024
Bus stop mosaics unite Iowa City neighborhoods
Isabelle Lubguban, Arts Reporter
• October 8, 2024
Transforming digital play into powerful philanthropy
Kate Wolfe, Arts Reporter
• October 8, 2024
FilmScene caps off its park series with roaring showing of “Jurassic Park”
Flynn Milligan, Arts Reporter
• October 8, 2024
Q&A | 2024 Truman Capote Award recipient Gene Jarrett explicates his biographical novel
Haya Hussain, Arts Reporter
• October 8, 2024
Stanley’s Musical Mural blends of art and chaotic fun
Hannah Childers, Arts Reporter
• October 7, 2024
Review | Riverside’s latest play features complex themes during election season
Charlotte Ericson, Arts Reporter
• October 7, 2024
Catharine Otto finds calling in unique medium
Isabelle Lubguban, Arts Reporter
• October 6, 2024
UI faces internet and system outage Sunday
Emma Jane, News Reporter
• October 6, 2024