Review | ‘Cassandro’ tells a familiar sports story about an iconic figure in Mexican wrestling
Charlie Hickman, Arts Reporter
• September 18, 2023
Review | Laufey’s ‘Bewitched’ tells a beautiful story of love, heartbreak, and life lessons
Will Bower, Arts Reporter
• September 18, 2023
“Elemental” puts original concept and stunning animation to use in telling a charming family story
Charlie Hickman, Arts Reporter
• September 17, 2023
Review | Lyrical genius Mitski strikes again in new album release
Zhenya Loughney, Arts Reporter
• September 17, 2023
Local photographer brings captivating collections to Iowa City Senior Center
Isabelle Lubguban, Arts Reporter
• September 13, 2023
Review | James Blake’s seventh studio album ‘Playing Robots into Heaven’
Olivia Hamilton, Arts Reporter
• September 13, 2023
Review | Olivia Rodrigo’s second album, ‘Guts,’ conquers youth and growing pains
Emma Gaughan, Arts Reporter
• September 12, 2023
Review | IC Community Theatre warmly presents ‘Our Town’ on Riverside Festival Stage
Zhenya Loughney, Arts Reporter
• September 11, 2023
Review | ‘Only Murders in the Building’ season three thrills with star-studded cast
Zhenya Loughney, Arts Reporter
• September 5, 2023
Review | ‘Bottoms’ is a hilarious and heartfelt portrayal of identity, friendship, and fight clubs
Charlie Hickman, Arts Reporter
• September 4, 2023
Review | ‘Kokomo City’ depicts the hardships of Black, transgender individuals
Caden Gantenbein, Arts Reporter
• August 30, 2023
Review | New Hozier album ‘Unreal Unearth’ melds earthy imagery with classic melancholic tone
Parker Jones, Managing Editor
• August 20, 2023