Review | Part two of ‘The Witcher’s’ third season is an intense and emotional dive into right and wrong
Emma Gaughan, Arts Reporter
• August 7, 2023
‘Spirit Dance’ at the Stanley is a full-body experience
Avi Lapchick, Arts Editor
• August 1, 2023
Review | ‘Barbenheimer’ is here — inside the double-feature phenomenon
Aspen DeGroot, Arts Reporter
• July 25, 2023
Punk-rock goes philanthropic: Iowa City artists perform in support of local charities
Avi Lapchick, Arts Editor
• July 18, 2023
Review | Taylor Swift drops the most important album of the summer with ‘Speak Now (Taylor’s Version)’
Anupama Choudhury, Arts Reporter
• July 10, 2023
Review | The newest season of ‘The Bear’ is questionable
Zhenya Loughney, Arts Reporter
• July 6, 2023
Review | Part one of season three of ‘The Witcher’ begins a thrilling final season for Henry Cavill
Emma Gaughan, Arts Reporter
• July 6, 2023
Riverside Theatre’s production of ‘Twelfth Night’ delivers fresh perspective on Shakespearean classic
Avi Lapchick, Arts Editor
• June 27, 2023
Review | Rebecca McKanna’s debut novel ‘Don’t Forget the Girl’ puts thrilling twist on true crime
Emma Gaughan , Arts Reporter
• June 27, 2023
Florence + The Machine: a ritual in womanhood
Anupama Choudhury, Arts Reporter
• June 25, 2023
Review | “Spider-Man: Across the Spider-Verse” raises the bar for animation
Zhenya Loughney, Arts Reporter
• June 13, 2023
Review | Mac DeMarco’s new album ‘One Wayne G’ teaches listeners patience
Zhenya Loughney, Arts Reporter
• April 27, 2023