
Review | ‘A Haunting In Venice’ has audiences on the edge of their seats
Isabelle Lubguban, Arts Reporter
• September 20, 2023

Review | ‘Cassandro’ tells a familiar sports story about an iconic figure in Mexican wrestling
Charlie Hickman, Arts Reporter
• September 18, 2023

Review | Laufey’s ‘Bewitched’ tells a beautiful story of love, heartbreak, and life lessons
Will Bower, Arts Reporter
• September 18, 2023

“Elemental” puts original concept and stunning animation to use in telling a charming family story
Charlie Hickman, Arts Reporter
• September 17, 2023

Review | Lyrical genius Mitski strikes again in new album release
Zhenya Loughney, Arts Reporter
• September 17, 2023

Local photographer brings captivating collections to Iowa City Senior Center
Isabelle Lubguban, Arts Reporter
• September 13, 2023

Review | James Blake’s seventh studio album ‘Playing Robots into Heaven’
Olivia Hamilton, Arts Reporter
• September 13, 2023

Review | Olivia Rodrigo’s second album, ‘Guts,’ conquers youth and growing pains
Emma Gaughan, Arts Reporter
• September 12, 2023

Review | IC Community Theatre warmly presents ‘Our Town’ on Riverside Festival Stage
Zhenya Loughney, Arts Reporter
• September 11, 2023

Review | ‘Only Murders in the Building’ season three thrills with star-studded cast
Zhenya Loughney, Arts Reporter
• September 5, 2023

Review | ‘Bottoms’ is a hilarious and heartfelt portrayal of identity, friendship, and fight clubs
Charlie Hickman, Arts Reporter
• September 4, 2023

Review | ‘Kokomo City’ depicts the hardships of Black, transgender individuals
Caden Gantenbein, Arts Reporter
• August 30, 2023
Load More Stories
Iowa football’s Logan Jones stays humble amidst hard work
Johnson County EMT apprenticeship reports strong start
JoCo Supervisors raise income eligibility for child care program
Lima Younes sentenced to five years in prison for role in son, former UI student Ali Younes’ escape
Iowa SWARM Collective expands NIL opportunities to all Hawkeye student athletes