The St. Louis Symphony Orchestra leaves Hancher in awe
Charlie Christensen, Arts Reporter
• November 18, 2024
Q&A | Ross Taylor illustrates realities of refugee communities in ‘Mango House’
Riley Dunn, Digital Editor
• November 17, 2024
‘Hot Stamped Foiling’ honors late UI professor at the Artifactory
Isabelle Lubguban, Arts Reporter
• November 14, 2024
Directors of ‘Heretic’ discuss their careers in Hollywood after graduating from the UI
Flynn Milligan, Arts Reporter
• November 14, 2024
Review | ‘Here’ cannot compare to ‘Back to the Future’ director’s earlier films
Isabelle Lubguban, Arts Reporter
• November 13, 2024
Review | Iowa City Community Theater premiers ‘39 Steps’ at The James Theater
Isabella Nekvinda, Arts Reporter
• November 13, 2024
Review | ‘Conclave’ tackles the politics of religion
Charlotte Ericson, Arts Reporter
• November 12, 2024
Four steps for a nighttime routine that will have you waking up feeling better than you did yesterday
Flynn Milligan, Arts Reporter
• November 12, 2024
Review | ‘Arcane’ is back and brutally magical with second season
Stella Shipman, Managing Editor
• November 12, 2024
UI alum Juan Felipe Herrera awarded MacArthur Fellowship
Haya Hussain, Arts Reporter
• November 12, 2024
Future of AI in education sparks hope and hesitation
Charlie Hickman and Riley Dunn
• November 12, 2024
In a downtown diner, Iowa’s wrestling scene finds new blood — no ring required
Olin Myhre, Arts Reporter
• November 12, 2024