FilmScene favorite, the Picture Show, returns to theaters
Grant Darnell, Arts Reporter
• January 23, 2024
Review | Aaron Sorkin’s adaptation of ‘To Kill a Mockingbird’ gives fresh spin on familiar story
Riley Dunn, Arts Reporter
• January 22, 2024
Paula Poundstone on comedy, feminism, small talk, and ‘Better Call Saul’
Natalie Dunlap and Avi Lapchick
• January 18, 2024
Hozier, Noah Kahan to headline Hinterland Music Festival 2024
Avi Lapchick, Arts Editor
• January 17, 2024
Meet the artist behind the Iowa City ‘snow shark’ sculpture
Lily Czechowicz, Arts Reporter
• January 17, 2024
Ask the Author | UI alum Ted Anton discusses new book ‘Programmable Planet: The Synthetic Biology Revolution’
Isabelle Lubguban, Arts Reporter
• January 17, 2024
Review | ‘Poor Things’ raises expectations for avant-garde cinema as a stylistically impeccable film
Caden Gantenbein, Arts Reporter
• January 16, 2024
Fashion guide: Winter weather warmth, but stylish
Parker Jones, Managing Editor
• January 16, 2024
Review | ‘Anyone But You’ is another basic and predictable romantic comedy
Sophia Connolly, Arts Reporter
• January 16, 2024
The Tinfoil Hat Committee: Still laughing
Charlie Hickman, Assistant Arts Editor
• January 16, 2024
How UI couples found their ‘I do’ in the classroom corridors
Avi Lapchick, Arts Editor
• January 16, 2024