Talking Heads concert film, ‘Stop Making Sense,’ restored for 40th anniversary
Lily Czechowicz, Arts Reporter
• October 24, 2023
The James celebrates 101 years of the horror blueprint ‘Nosferatu’
Charlie Hickman, Arts Reporter
• October 23, 2023
UI Opera’s ‘L’amico Fritz’ brings the fear and bliss of falling in love to the stage
Lily Czechowicz, Arts Reporter
• October 17, 2023
Review | Drake’s ‘For All The Dogs’ has its highs and lows
Will Bower, Arts Reporter
• October 17, 2023
Point/Counterpoint: Which song from the new boygenius EP is the best?
Jami Martin-Trainor and Parker Jones
• October 15, 2023
Warlock Hour Festival 2: The perfect birthday celebration
Stella Shipman, Arts Editor
• October 15, 2023
Hancher presents ‘Love in Exile’ and ‘In These Times,’ an artistic collaboration for the Infinite Dream Festival
Emma Gaughan, Arts Reporter
• October 12, 2023
Shade of Blue: UI alumni band’s 30-year history
Avi Lapchick, Arts Editor
• October 9, 2023
Rapper Swae Lee takes the stage at packed UI Homecoming concert
Will Bower, Arts Reporter
• October 7, 2023
Review | ‘Cousin’ returns Wilco to their soft rock roots with the perfect autumn album
Charlie Hickman, Arts Reporter
• October 3, 2023
Iowa City princess-punk band Early Girl makes music for all
Zhenya Loughney, Arts Reporter
• October 3, 2023
Review | Jazz group Late Aster concocts a heady mix of genres in newest EP
Caden Gantenbein, Arts Reporter
• October 1, 2023