Stanley Museum of Art debuts ‘A Year in Print’ exhibit that highlights acclaimed artists
Riley Dunn, Arts Reporter
• March 2, 2024
Ask the Author | Leslie Jamison shares widely anticipated memoir ‘Splinters’
Isabelle Lubguban, Arts Reporter
• February 28, 2024
Live action ‘Avatar: The Last Airbender’ prompts debate about the necessity of anime adaptations
Grant Darnell, Arts Reporter
• February 27, 2024
Q&A | ‘Underdog’ filmmakers discuss their process
Grant Darnell, Arts Reporter
• February 27, 2024
Review | The heartbreak that follows Netflix’s ‘One Day’ is worth the beautiful watch
Sophia Connolly, Arts Reporter
• February 27, 2024
Inside of Iowa City’s Big Queer Dating Show
Avi Lapchick and Isabella Nekvinda
• February 27, 2024
Review | ‘Drive-Away Dolls’ brings LGBTQ+ spin to road trip comedy
Madison Christenson, Arts Reporter
• February 26, 2024
Review | Netflix’s ‘Avatar: The Last Airbender’ attempt is a good, not great adaptation
Riley Dunn, Arts Reporter
• February 25, 2024
Review | ‘Red’ is an immersive and philosophical play
Charlie Hickman, Assistant Arts Editor
• February 25, 2024
Review | ‘Madame Web’ tells an aggressively nonsensical story in the worst way possible
Charlie Hickman, Assistant Arts Editor
• February 22, 2024
Review | Brittany Howard’s ‘What Now’ is a masterclass in musical creativity
Evan Weidl, Opinions Editor
• February 21, 2024
Seeing the stage from both sides: Two Iowa actors to perform in ‘Hairspray’ at Hancher
Avi Lapchick, Arts Editor
• February 20, 2024